Wednesday, October 30, 2013

Arhat (luohan)

One of the many beliefs that a majority of the schools of Buddhism espouse is the concept that anyone can eventually become a Buddha. What that means is that anyone who achieves enlightenment in their current life becomes a Buddha upon their death. From there, they can choose to leave samsara, the wheel of life, death, and rebirth; or go hardcore and abandon their escape from samsara to help others ascend, which pegs them as a Bodhisattva, or princely Buddha. It takes a certain person to be able to give the figurative finger to paradise in my opinion, and these guys aren’t even the top of the totem pole as far as Buddhism is concerned.

You also have the celestial Buddhas, who not only become the principal Buddha in a certain sect, but also are served by Bodhisattvas. Yes, there are Buddhas who are even more enlightened than the guys who denied themselves freedom to help others. No, I’m not mimicking the plot to Dragon Ball Z in the desperate attempt to look like I know about Buddhism. This is actually how this works. This isn’t even the insane part either. There is a rank even higher than the celestial Buddhas. Even these guys are small potatoes to the Maitreya Buddha, or future Buddha.

Marty! I've become Enlightened! I also have my own celery soda!

The future Buddha is a pretty big deal in most Buddhist schools. In a way, you can see the appearance of this guy in a similar light to seeing Jesus during the Rapture. This fellow will appear when the Dharma, or Buddha’s teachings, have all but been forgotten, and reignite it. This guy will ensure everyone will be enlightened and be able to break the cycle of suffering.

Since this is a pretty big deal, it’d be a good idea to have some people wait for the coming of the Maitreya. In fact, Buddha advocated that some Arhats, or people enlightened during their life, look out and help the guy out. This concept of salvation also hit a nerve with the Chinese people, especially those who practiced Buddhism around the time of the early Liao Dynasty. They suffered from persecution not so long ago, and the turmoil that occurs between dynastic changes makes the idea of the Maitreya very popular. So it’s no surprise that they decided to make their own Arhats, or luohans, to await the Maitreya.



Now I downright love this piece. I love how this statue was glazed, since the greens and golds of the robe are so rich in color. I also love how they decided to add realistic details, such as the shaved head, and how the skin has a different texture from the robes. In a way it’s very reminiscent of the Greeks, since there’s that sense of naturalism when I look at it. It almost looks like the statue is alive.

Don't blink...

Another reason why I absolutely dig this piece is that this quality implies that these were made using an imperial style. You can tell because the glazing is done in a similar way to sancai, the three color style of glaze that was popular with the previous dynasty, the Tang. Another tell is that these were actually reinforced with iron rods, a technique mostly restricted to works commissioned by the Emperor. But what makes this actually cool isn't that they used elements similar to those in imperial work, but that the techniques spread across the area, since workshops have been found in the same area that use these techniques.

This piece does however lead me to one question, brought along by the Jesus comparison I made. What would’ve happened if Jesus and Buddha met in life?

If only, if only...

I was thinking more "rap battle” but that works fine too.

Friday, October 11, 2013

The Colossus of Rhodes

The Ancient Greeks were the best stonemasons and sculptors of the Classical Era. Sure, you had the Romans, but they tended to either copy Greek designs or simply duplicate their statues for the most part.It doesn't help that your opinion is dead wrong Mr. Strawman Argument, but face it: the Greeks were the true innovators and masters of their craft, especially when it came to stone and metal work. The ultimate culmination of that work would have to be the Colossus of Rhodes.

So what? It's a Drawing?
Sadly, we don't have any real remains of the Colossus, which was destroyed in a massive earthquake back in 226 BC, but this thing was beyond impressive back in the day. In fact, this thing was considered one of the Seven Wonders of the Ancient World, standing alongside the Pyramids of Giza and the Mausoleum of Halikarnassos. It was over thirty meters tall, or about a hundred or so feet tall in imperial. To give you an idea on how tall this thing was, it's two thirds the size of the Statue of Liberty, which is impressive considering that the latter was made with far more modern techniques. It's even funnier because the Statue of Liberty actually drew a lot of inspiration from the Colossus in its design and construction.

Rip-off artists...
Now, I love the Colossus for several reasons, despite it not being in a state of existance anymore. For one thing, the materials that made the Colossus further adds to how it was a propaganda piece; it was forged from the weapons left behind by the invading army of Cyprus, which attacked Rhodes back in 305 BC. That just adds that fun little twist that we see in quite a few Greek pieces; not only is it a piece that was designed to show the triumph of Rhodes over Cyprus, but it also adds just a little salt into the wound by being MADE from the weapons of their defeated enemies. I guess that's another hint that I'm a jerk, since I thought that was cool.

I also like the techniques that were used in its construction of the Colossus. Since having a pure bronze stature would be beyond expensive for the size they wanted, the Greeks of Rhodes decided to innovate. Like the Statue of Liberty, the Colossus had a bronze "skin" that was reinforced with iron ribbing. On top of that, it was then filled in with stone, to make doubly sure that the statue would remain intact. Talk about ingenious.

Finally, I love it because it was the inspiration for one of our most well known icons: the Statue of Liberty. The engineers that designed her based a lot of her design on how the Colossus was built, and it shows. Heck, there's a sonnet on the pedestal that describes the Statue of Liberty as the "New Colossus". Here's to hoping our Colossus doesn't suffer any accidents.

You maniacs! You blew it up!

Yeah, like that. Let's hope that doesn't happen.